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Photo
1 History of Photography |
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| Spring 2009 | Tuesday 2 pm - 5 pm |
section
54709 |
| Instructor | Denise Johnson |
| email: djohnson@theslideprojector.com or denise.johnson@chaffey.edu | |
| Voice mail: 909-652-7867 | |
| ***We have relocated our classroom to HS 143 |
| Course Description |
This course will explore the history of photography from its foundations in the Renaissance to its ever evolving position in the 21st century. Visual language and art terminology will be used to examine photographs from a wide assortment of historical, social, political and personal contexts. During this investigation, students will be encouraged to develop and maintain a critical eye that takes nothing for granted and is actively engaged in questioning. Through this critical examination, students will gain a general level of knowledge, understanding and appreciation for photography and its history. This is a 3-unit UC/CSU course. |
| Required Text |
Marien, Mary Warner.
Photography: A Cultural History . Second ed. Upper Saddle River, NJ: Prentice Halll,
2006. |
| Instructional Website |
This course will be taught from the instructional website: www.theslideprojector.com. Lecture presentations, assignments, and other course materials will be available to students at this site, and you will need to access it regularly. Please let the instructor know if you do not have access to the internet. |
| Attendance |
Good attendance is essential to your success! While you will not be graded directly on your attendance, numerous absences are sure to negatively affect your grade. The deadline to add this course is January 30. If you wish to drop this course, it is your responsibility to submit a drop card to the Admissions Office by February 9 without a grade of “W,” or by April 17 with record. |
| Be Kind |
Please DO NOT use cell phones and other electronic devices (for text messaging, music listening, etc.) during class. If you receive an emergency message during class, please leave the classroom and return when you can commit your attention to class discussion. |
| Special Accommodations |
Please discuss any special accommodations you require with the instructor as soon as possible. If you are having difficulty in any class, you are strongly encouraged to contact the DPS office at 941-2379 for information regarding the valuable resources that are available. |
| Cheating and Plagiarism Policy |
Cheating and plagiarism
will not be tolerated. If the instructor finds evidence that a student
is involved in cheating or plagiarism, the student will receive an F on the assignment and further action may be considered. |
| Grading | ||||
Students will
be graded on 7 worksheets, 2 exams, a final exam,
the Writing About Art assignment, an Exhibition Review, a Research Paper, and on class participation. There are 500 points possible in this class. |
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| The grading scale is as follows: | ||||
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A |
100 - 90% | 500 - 448 points | ||
A+ |
500 - 483 | |||
A |
482 - 466 | |||
A- |
465 - 448 | |||
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B |
89 - 80% | 447 - 398 | ||
B+ |
447 - 433 | |||
B |
432 - 418 | |||
B- |
417 - 398 | |||
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C |
79 - 70% | 397 - 348 | ||
C+ |
397 - 373 | |||
C |
372 -348 | |||
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D |
69 - 60% | 349 - 300 | ||
D+ |
349 - 333 | |||
D |
332 - 328 | |||
D- |
327 - 300 | |||
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F |
59% - or less | 299 - 0 | ||
| Worksheets - 7 @ 20 = 140 points | |
Students are required to complete 7 worksheets, worth a maximum of 20 points. You may choose any combination of the full credit worksheets to submit. Points will be assigned according to completeness – an incomplete assignment will NOT receive credit. Up to 2 extra credit worksheets may be completed for a maximum of 15 points. |
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| Writing About Art - 10 points | |
This assignment is designed to familiarize students with strategies for writing about art and the basic logic behind MLA style in-text citations. The Writing about Art worksheet is worth a maximum of 10 points and will prepare students for writing their exhibition review and research paper. |
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| Exhibition Review - 40 points | |
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Students are required to visit a museum or gallery showing photographic works and to write a 2 to 3 page review of one work on exhibit. Seeing a photo online does NOT count! Specific exhibitions and museums showing modern and contemporary art are recommended on the last page of this syllabus. The Exhibition Review will be worth a maximum of 40 points. |
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| Research Paper - 5 + 5 + 90 = 100 points | |
Students are required to write an individual research paper on a topic or artist relevant to this course. This paper should follow MLA guidelines, and at least three credible sources of information originating in print should be cited within the body of the text. The paper should reflect extensive research as well as personal insights and interpretations. In preparation, students will be asked to submit a research topic report and source report, each worth 5 points. The paper itself will be worth a maximum of 90 points. |
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| Exams - 2 @ 50 + 1 @ 100 = 200 points | |
Exams #1 and #2 will be worth 50 points each and will consist of image i.d.s, multiple choice, fill-in-the blank, and short-answer essay questions. The final exam will be worth 100 points, and will be cumulative. |
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| Participation - 10 points | |
Students will earn up to 10 points based on their active participation in class discussions, positive attendance and general commitment to learning. |
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| Extra Credit | |
Multiple opportunities to earn extra credit will be announced during class. However, students are limited to earning a maximum of 40 extra credit points during the semester for any combination of opportunities. |
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| Late Policy & Miscellaneous Assignment Information | |
You may turn one assignment in late by one class day. The late assignment will not be marked down but no other late assignments will be accepted afterwards. Please DO NOT complete assignments in class. Assignments should be turned in at the beginning of class. Any work done during class will NOT be given credit. Exams may NOT be made up. If you have extenuating circumstances that prevent you from being able to take an exam, please discuss your options with the instructor BEFORE the exam takes place. |
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| Success Centers | |
Students are highly encouraged to make use of the resources and consultation services available at the Writing Center, located in the library (909) - 652 – 6820 and the Rancho Success Center in the Educational Excellence Building (909) 652 – 6932. The Writing and Rancho Success Centers are open: Monday – Thursday from 8 am to 8 pm, Friday & Saturday from 9 am to 2 pm. |
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Class
Schedule and Required Reading |
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Please complete
and be prepared to discuss the assigned readings before the date they
will be presented in class. This is
a tentative schedule, and may be changed by the instructor at any point
during the semester according to the needs of the class. |
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Date |
Discussion
Topic |
Assignment Due
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January 13 |
Introduction |
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Chapters 1 & 2
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January 20 |
Developing Techniques |
Worksheet #1
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Chapters 3 & 4 |
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January 27 |
Photographic Objectivity? |
Research Topic Report |
Pages 80 - 85 & 99 - 127 |
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February 3 |
Imaging the Other |
Worksheet #2
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Pages 143 - 163 & 202 - 209 |
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February 10 |
Picturing the Present |
Worksheet #3
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Pages 85 - 98, 127 - 143 & 209 - 216
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February 17 |
Exam #1 |
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The Question of Art |
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February 24 |
Pictorialism |
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Pages 164 - 202 |
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March 3 |
Modernism |
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Worksheet #4
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March 10 |
New Vision |
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Pages 268 - 305 Games of the Doll |
Worksheet #5 |
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March 17 |
Spring Break - No Class |
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March 24 |
Imaging America |
Exhibition Review |
March 31 |
WWII |
Source Report |
Worksheets #6 & 7 |
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April 7 |
Exam #2 |
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Changing Directions |
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April 14 |
Social Landscape |
Worksheets #8 & 9 |
Pages 350 - 363 & 371 - 385 |
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April 21 |
Instructor Service Day - No Class |
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April 28 |
Postmodernism |
Research Paper |
Pages 386 - 447 & The Work of Art in the Age of Mechanical Reproduction |
Worksheet #10 |
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May 5 |
Politics |
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Pages 448 - 488 |
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May 12 |
The Death of Photography? |
Worksheet #11 |
Chapter 8 &Thirteen Photographs That Changed the World |
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May 19 |
Final
Exam 2:15 pm - 4:45 pm |
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Recommended Exhibitions Including Photographic Works |
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Venue |
Dates |
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Hard Targets: Masculinity in Sport |
Broad Contemporary Art Museum at LACMA |
through January 19 |
A Story of Photography |
LACMA |
through February 1 |
Carlton Watkins & the Rise of Photography in California |
Getty Museum |
through March 1 |
Vanity Fair Portraits |
LACMA |
through March 1 |
Other People |
Getty Museum |
through March 15 |
Cerca Series: Javier Ramirez Limon |
Huntington Museum |
January 18 - May 10 |
Suddenly! |
MOCA Geffen |
January 21 - April 12 |
Marilyn Monroe: The Fabulous and the Faux |
UCR/ California Museum of Photography |
January 31 - April 4 |
The Screen of Nature: Early Photography of the West |
UCR/ California Museum of Photography |
January 31 - April 4 |
Collecting Abraham Lincoln |
Huntington Museum |
February 7 - April 27 |
Recommended Venues That Exhibit Photographic Works Regularly |
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Los
Angeles County |
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Bergamot Station |
2525 Michigan
Avenue |
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Santa Monica |
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J. Paul Getty
Museum |
1200 Getty
Center Drive |
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at the Getty
Center |
Los Angeles |
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Los Angeles
County Museum of Art |
5905 Wilshire
Boulevard |
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| (LACMA) | Los Angeles | ||
| Museum of Contemporary Art (MOCA) | 250 S. Grand Avenue | www.moca.org/ | |
| 152 N. Central Avenue | |||
| UCLA Hammer Museum | 10899 Wilshire Boulevard | www.hammer.ucla.edu | |
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Riverside
County |
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UCR/ |
3824 Main
Street |
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| California Museum of Photography | Riverside | ||
| San Bernardino County | |||
| Wignall Museum/ Gallery | 5885 Haven Avenue | www.chaffey.edu/wignall | |
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San
Diego County |
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Museum of
Contemporary Art, San Diego |
700 Prospect Street & |
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1001 Kettner Boulevard |
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