| Date | Author | Title |
| 1405 | Christine de Pizan | The Book of the City of the Ladies |
| 1792 | Mary Wollstonecraft | Vindication of the Rights of Women |
| 1892 | Charlotte Perkins Gilman | The Yellow Wallpaper |
| 1929 | Virginia Woolf | A Room of One's Own |
| 1930 | Walter Benjamin | The Work of Art in the Age of Mechanical Reproduction |
| 1935 | Melanie Klein | A Contribution to the Psychogenesis of Manic-Depressive States |
| 1940 | Clement Greenberg | Avant Garde and Kitsch |
| 1949 | Simone de Beauvoir | The Second Sex |
| 1963 | Betty Friedan | The Feminine Mystique - Chapter 1, Chapter 2, Chapter 5 |
| 1964 | Antonin Artaud | The Theatere and its Double |
| 1967 | Roland Barthes | The Death of the Author |
| 1967 | Michael Fried | Art and Objecthood |
| Guy Debord | The Society of the Spectacle | |
| 1968 | Valerie Solanas | SCUM Manifesto |
| 1971 | Linda Nochlin | Why Have There Been No Great Women Artists? |
| 1973 | Laura Mulvey | Visual Pleasure and Narrative Cinema |
| 1974 | Juliet Mitchell | Psychoanalysis and Feminism |
| 1979 | Jean-Francois Lyotard | The Postmodern Condition |
| 1980 | Julia Kristeva | Powers of Horror: An Essay on Abjection |
| 1984 | Frederic Jameson | Postmodernism, or the Cultural Logic of Late Capitalism |
| 1992 | Arthur Danto | Modern, Postmodern and Contemporary |
| 1996 | Eve Ensler | The Vagina Monologues |
| 2003 | Ann Landi | Who Are the Great Women Artists |
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