Art & Protest
 
Annotated Bibliography and Visual Analysis Paper now due
 
Only seven weeks left to post on the Inquiry Blog! Remember, students are required to post a minimum of 10 times, but may not post more than once a day, or three times in one week.
Less than half of you have posted at least once!!! :0(
 
Research Paper Share due on April 6
John Stamstad, Demonstrators express support for The Perfect Moment, an exhibition by Robert Mapplethrope that included nude and sexually graphic photos.

 

 

 

 

 

 

 

 

 

 

"[Mapplethorpe's] various guises – militia man, gay sex fiend, femme fatale – reveal a committed exploration of Catholic themes familiar throughout art history: the debasement and transcendence of the flesh; transgression, punishment and confession; agony and ecstasy. As curator and art historian Germano Celant has observed, Mapplethorpe was deeply spiritual but he plunged headlong into the dark side of religion, courting something of a “Catholic inversion” characterised by an attraction to the demonic, the violent and the abject, all the while striving toward a vision of redemption, the conversion of suffering into grace through beauty, balance and stasis." - Kevin Moore in Whipping Up a Storm
Robert Mapplethorpe, Self-Portrait, 1983.
Robert Mapplethorpe, Self-Portrait, 1985.
Robert Mapplethorpe, Self-Portrait, 1980. Printed in 1999.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"The show’s approximately 175 images captured the range of Mapplethorpe’s subjects over his 25-year career, grouping them into three 'portfolios': nude portraits of African-American men (the 'Z' portfolio), flower still lifes ('Y') and homosexual S&M ('X')." - "When Art Fought the Law and the Art Won"
Robert Mapplethorpe, Joe, 1978.
Robert Mapplethorpe,Tulip, 1985.
Robert Mapplethorpe, Derrick Cross, 1983.

 

 

 

 

 

 

 

 

 

 

Self-Portrait with Bullwhip

Robert Mapplethorpe, Self-Portrait with Bullwhip, 1978.

 

 

LACMA's presentation of Mapplethorpe's X, Y, and Z Portfolios

 

 

 

 

 

 

 

 

 

 

Frank Herrera, Corcoran protest, 1989.

 

 

 

 

 

 

 

 

 

 

Historic Context
1965 National Endowment for the Arts created, $2.4 million budget
1978 Assassination of first openly gay elected official, SF Supervisor, Harvey Milk along side Mayor, George Muscone
1981 HIV virus first reported in popular press
1985 More than 1,000 San Franciscans have died of AIDS
Rock Hudson dies of AIDS
1986 Conservative author William F. Buckley, in a March 18, 1986, New York Times opinion article, called for mandatory testing for HIV and said that HIV-positive gay men should have this information forcibly tattooed on their buttocks (and IV-drug users on their arms)
1987 AIDS Memorial Quilt project begun by SF Gay Rights Leaders
President Reagan first uses term "AIDS" in public
Robert Mapplethorpe,
American Flag, 1987.
71,176 diagnosed with AIDS and 41,027 of those dead
1988 Perfect Moment exhibition at Institute of Contemporary Arts, Philadelphia
1989 Perfect Moment exhibition at the Museum of Contemprary Art, Chicago
Perfect Moment exhibition canceled two weeks before opening at Corcoran Gallery of Art in D.C.
Senate debate against NEA support of Perfect Moment and of Andres Serrano's work
Robert Mapplethorpe dies of AIDS
1990 Perfect Moment exhibition at the University Art Museum, UC Berkeley
Keith Haring, Freddie Mercury, Craig Owens and Halston die of AIDS
Perfect Moment exhibition at Cincinnati Contemporary Arts
Dennis Barrie acquited of charges of pandering and obscenity related to Perfect Moment exhibition
1991 AIDS Ribbon campaign begun in conjunction with World AIDS Day
Magic Johnson publicly announces he is HIV positive
Isaac Asimov dies of AIDS
1992 David Wojnarowicz dies of AIDS
1994 Elizabeth Glaser dies of AIDS
1996 Felix Gonzalez-Torres dies of AIDS

 

 

 

 

 

 

 

 

 

 

Piss Christ

Andres Serrano, Piss Christ, 1987.

 

 

 

 

 

 

 

 

 

 

Transcripts of Senate debate on Piss Christ
 
Editorial on the work's destruction in 2011
 
Piss Christ destroyed after being hammered and stabbed with a screwdriver in 2011

 

 

 

 

 

 

 

 

 

Andres Serrano explains:
"As a former Catholic, and as someone who even today is not opposed to being called a Christian, I felt I had every right to use the symbols of the Church and resented being told not to."
 
"I have always felt that my work is religious, not sacrilegious."
 
"I think if the Vatican is smart, someday they'll collect my work."
 
Sister Wendy on Serrano's Piss Christ
 
 
Andres Serrano, Madonna and Child, 1989.