The Expanding Domain

 
The Open Door

Essay 1 Due

 
 
 
 
William Fox Talbot, The Open Door, 1843. Salted paper print from calotype negative.

 

 

 

 

 

 

 

 

 

 

Daguerreotype Mania

 

daguerreotype mania

1840
First commercial daguerreotype studios open in New York and Paris
1841
First studios in London
1860s
200 studios in New York and 400 in Paris
1865
284 studios in London
   
Theodore Maurisset, Fantasies: La Daguerreotypemanie, 1839.
 

 

 

 

 

 

 

 

 

 

 

Dagnan-Bouveret, Wedding at the Photographer's, 1879.

 

 

 

 

 

 

 

 

 

 


Jenny Lind Headrest, 1851.

 

 

 

 

 

 

 

 

 

 

A picture's worth?
 
  • A professionally made daguerreotype cost one to two pounds in London - about a month's salary for the common person
  • In the United States, a daguerreotype made at the local studio cost $2.50 to $5
  • The price of a daguerreotype, at the height of its popularity in the early 1850's, ranged from:

    25¢ for a sixteenth plate (1 5/8" X 1 3/8"),

    50¢ for a low-quality "picture factory" likeness

    $2 for a medium-sized portrait at Matthew Brady's Broadway studio. 

    50¢, probably the most common price paid, and is equivalent to $14.20 today

    Southworth and Hawes charged $33 for a portrait (about $450 in today's money)

 

 

 

 

 

 

 

 

 

 

William Henry Fox Talbot
1800 - 1877

 

William Henry Fox Talbot

John Moffat, Portrait of William Henry Fox Talbot, 1866.

 

 

 

 

 

 

 

 

 

 

Latticed Window at Lacock Abbey

William Henry Fox Talbot, Latticed Window at Lacock Abbey, 1835.
Photogenic drawing.

Enhanced view of Talbot's window

 

 

 

 

 

 

 

 

 

 

Talbot produced the first successful
negative on paper in 1835
 
  • Soaked paper in a solution of sodium chloride, then a solution of silver nitrate
  • Repeated process several times to create a dense concentration of chemicals
  • Exposed wet sheet of iodized paper to light  
    (cutting exposure time from 1 hour to 10 minutes)
  • Image fixed with either potassium iodide or sodium chloride
 
 
William Henry Fox Talbot, 1837,
Photogenic Drawing.
 
In the following years, Talbot discovered that an invisible, "latent image" could be developed with gallic acid
Began coating paper with wax to make it more translucent
Negative was contact printed onto another sheet of sesnsitized paper

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Direct Positive Print
 
the calotype established a negative/ positive printmaking system
1. Negative image produced by exposing light-sensitive paper
2. Positive image produced by contact printing onto another piece of paper
 
Negative Image
Positive Image
William Henry Fox Talbot, Oak Tree in Winter at Lacock Abbey, Early 1840s.
Calotype negative and Salted Paper Print positive.

 

 

 

 

 

 

 

 

 

 

William Henry Fox Talbot, Articles of China, 1844.
Salted Paper Print made from Calotype negative.

 

 

 

 

 

 

 

 

 

 

Salted paper:

  • Soaked in salt concentration
  • One side coated with silver nitrate
  • Dried
  • Contact printed with negative image
 
William Henry Fox Talbot, Talbot at Laycock Abbey, Salt print from a calotype negative, early 1840s.

 

 

 

 

 

 

 

 

 

 

Southworth and Hawes, Rollin Heber Neal, c. 1850. Daguerreotype.
William Henry Fox Talbot, The Ladder, 1844.
Salted paper print from Calotype negative.

 

Daguerreotyp vs. Calotype
 
Daguerreotype
Calotype
Surface
Mirror-like
Matte
Highly detailed
Creates contrast and mass
Process
One step
Two step
Exposure time
Few seconds
Few minutes
Reproducibiltiy
Produced one-of-a-kind image
Produced infinite number of copies
Sturdiness
Fragile
Hardy
Price
Somewhat expensive if done at high quality studio
Relatively inexpensive
Inventors
Experienced businessman
Scientist and intellectual

 

 

 

 

 

 

 

 

 

 

The Pencil of Nature

The Pencil of Nature = first book to include photographic images
 
  • In order to encourage the use of the calotype process and his former valet's photo printing establishment, Talbot sold subscriptions to The Pencil of Nature
  • Printed in six parts with 24 salted paper prints from paper negatives
  • Today, approximately forty complete or substantially complete copies survive
William Henry Fox Talbot, The Pencil of Nature, 1844 - 1846.
 

 

 

 

 

 

 

 

 

 

 

Talbot's valet's printing operation, c. 1845.

 

 

 

 

 

 

 

 

 

 

The Open Door

William Fox Talbot, The Open Door, 1843. Salted paper print from calotype negative.

 

 

 

 

 

 

 

 

 

 

picturesque = suggesting a painted scene, quaint, charming and favoring the emotional experience

 
sublime = lofty, grand or exalted in thought, expression or manner; of outstanding spiritual, intellectual or moral worth; tending to inspire awe
William Henry Fox Talbot, The Game Keeper, c. 1843.

 

 

 

 

 

 

 

 

 

 

William Henry Fox Talbot, Cloisters of Lacock Abbey, c. 1843.

 

 

 

 

 

 

 

 

 

 

The Vampire

Charles Negre, The Vampire, 1853. Salted paper print.

 

 

 

 

 

 

 

 

 

 

Wet-Collodion Process

1848 Frederick Scott Archer exposes iodized collodion while it is wet, resulting in a great improvement of the calotype process
 
collodion (pyroxylin) = a mixture of cellulose nitrates that is less explosive than guncotton, soluble in a mixture of organic solvents, and used especially in making plastics, coatings such as lacquers, as a coating for wonds or for photographic films
 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sally Mann, Last Light, 1989.

 

 

 

 

 

 

 

 

 

 

Commercial photographers quickly adopted the wet-collodion process
 
transparency = a direct translation of reality in which subjects were not suggested, as in the calotype and daguerreotype, but were clearly stated adn defined without overt intervention
 
Wet-Plate Camera

wet-plate chemicals

Wet-Plate Chemicals

 

 

 

 

 

 

 

 

 

 

Wet-Collodion Spin-Off Processes:
Ambrotype
Ferrotype or Tintype
Carte-de-Visite

 

 

 

 

 

 

 

 

 

 

Ambrotype

ambrotype

Introduced in 1854
 
Positive image on glass with an opaque black backing
One-of-a-kind image
Housed in Union Case, just like a daguerreotype
 
 
Unknown Photographer, Untitled Portrait,
Ambrotype with half the backing removed to show positive and negative effect.

 

 

 

 

 

 

 

 

 

 

 

Tintype/ Ferrotype

  • Ambrotype image made on a thin piece of metal instead of glass
  • Metal plate painted black with asphaltum, then coated with light sensitive collodion solution
  • One-of-a-kind image

 

 

Advantages:
Inexpensive
Durable
Lightweight
Considered an instant process
 
Unknown, Civil War Soldier, c. 1862. Tintype.

 

 

 

 

 

 

 

 

 

 

Making a Tintype

 

 

 

 

 

 

 

 

 

 

Albumen paper

Albumen paper manufacture

1850 first practical prepared paper produced with
albumen = egg white
 
  • Paper is made light sensitive by 'floating' it on top of a tray filled with silver nitrate solution (producing light sensitive silver chloride in the albumen layer)
  • Paper is hung to dry in the dark
  • Exposed in contact with a negative image
Albumen paper manufacture

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Daguerreotype
Salted paper print
from calotype negative
Albumen paper print

Southworth and Hawes, Portrait of an Unknown Woman, c. 1850.
David Octavius Hill, Miss Crampton of Dublin, c. 1845.
Nadar, Sarah Bernhardt, 1865.

 

 

 

 

 

 

 

 

 

 

 

Brig Upon the Water

Albumen print advantages:
  • Smooth, glossy surface that looked modern
  • Provided sharper, better contrasted, more detailed print
  • Provided consistency not possible with calotypes
Gustave Le Gray, Brig Upon the Water, 1856. Albumen print.
 

 

 

 

 

 

 

 

 

 

 

 

Carte-de-visite

carte-de-visite = visiting card
 
 
Wet-plate image created with a multi-lens camera and printed on albumen paper
 
Carte-de-visite camera

 

 

 

 

 

 

 

 

 

 

Unidentified Woman

Andre Adolphe Eugene Disderi, Princess Buonaparte Gabrielli, 1862.
Uncut albumen print from a carte-de-visite negative.

 

more portrait cartes

 

 

 

 

 

 

 

 

 

 

Hugh Mangum, Portrait Carte de Visites, 1890s

 

 

 

 

 

 

 

 

 

 

Carte-de-Visite album

 

 

 

 

 

 

 

 

 

 

 

Andre Disderi, Supplicies (Heads of Executed Men), c. 1850s. Carte-de-visite.

 

other newsworthy carte-de-visites

 

 

 

 

 

 


Abraham Lincoln
Matthew Brady Studio, Abraham Lincoln, c. 1863. Albumen Cabinet Card.
Lincoln campaign button, 1860.