Early Renaissance in Italy
 
Giotto “…brought back to light an art which had been buried for centuries…So faithful did he remain to Nature…that whatever he depicted had the appearance, not of a reproduction, but of the thing itself, so that one very often finds, with the works of Giotto, that people’s eyes are deceived and they mistake the picture for the real thing.”
— Giovanni Boccaccio, Decameron VI, 5
 
Giotto di Bondone, Nativity, Arena Chapel, Italy,
c. 1305 - 1306.
Fresco.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Giotto di Bondone, Marriage at Cana, Raising of Lazarus, Resurrection and Noli Me Tangere, and Lamentation, 1305 - 1306.

 

 

 

 

 

 

 

 

 

 

Giotto di Bondone, The Lamentation, Arena Chapel, Italy, c. 1305.  Fresco.

 

 

 

 

 

 

 

 

 

 

Cimabue, The Virgin and Child Enthroned with Angels and Prophets, about 1285 – 1286. Tempera and gold leaf on panel.
 Giotto di Bondone, The Virgin and Child Enthroned with Angels, about 1306 – 1310. Tempera and gold leaf on panel.

 

 

 

 

 

 

 

 

 

 

Vasari credited Giotto with “setting art upon the path that may be called the true one [for he] learned to draw accurately from life and thus put an end to the crude Greek manner.”
Giotto di Bondone, detail of The Lamentation, c. 1305.  Fresco.

 

 

 

 

 

 

 

 

 

 

Humanism = a cultural and intellectual movement during the Renaissance, following the rediscovery of the art and literature of ancient Greece and Rome. A philosophy or attitude concerned with the interests, achievements and capabilities of human beings rather than with the abstract concepts and problems of theology.
 

Francesco Petrarch is often called the "Father of Humanism." He was a scholar and a poet who lived in Florence in the 1300s who studied poets and philosophers from Ancient Rome, such as Cicero and Virgil.

Michelangelo, Pieta, Saint Peter's Basilica, 1498 - 1499.
 

 

 

 

 

 

 

 

 

 

 

Vitruvian Man

Significant developments in the western world view
become influential by the 1400s:
  • Increased exploration of the world
  • Scientific investigation of nature and the human body
  • Medieval religious zeal becomes more tempered
  • Development of the city-state and nations
  • Growth of capitalism and trade
  • Guilds become more powerful and women's participation in them less common
  • The artist's social standing is eventually
    elevated from skilled laborer to gifted intellectual
Leonardo da Vinci, Vitruvian Man, c. 1487.
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Historical Context
1429
Joan of Arc liberates Orleans
Gutenberg Bible
Gutenberg Bible
1431
Joan of Arc burned at the stake
1434
Exiled Cosimo de Medici returns to control Florence
1440
Platonic Academy founded in Florence
1445
Guttenberg begins selling one of the first books published with movable type in the West (movable type invented in China about 400 years earlier)
1453
Turks take Constantinople
1469
Lorenzo de Medici rules Republic of Florence

1470

Portuguese explorers reach Africa's Gold Coast
1484
Pope Innocent VII succeeds to papacy and outlaws witchcraft
1492
Columbus travels to West Indies and South America
1511
First road map of Europe published
1517
Beginning of Protestant Reformation
1522
First circumnavigation of the earth
1527
Sack of Rome

 

 

 

 

 

 

 

 

 

 

Antonio del Pollaiuolo, Battle of the Nudes, c. 1465 – 1470.
Engraving, 15 1/8 X 23 3/16 inches

 

 

 

 

 

 

 

 

 

 

Agesander of Rhodes, Polydorus of Rhodes, and Athenodoros of Rhodes, Laocoön and His Sons, 27 AD.
Rediscovered in 1506 near the Baths of Trajan

 

 

 

 

 

 

 

 

 

 

Renaissance Humanism
 
an emphasis on education and on expanding knowledge (especially of classical antiquity), the exploration of individual potential and a desire to excel, and a commitment to civic responsibility and moral duty
  • Renewed interest in classic Greece and Rome
  • Belief that Man was the measure of all things
  • Belief that humanity could achieve perfection through education
  • Valued a balance between faith and reason
  • Stressed man's superiority over nature
  • Interest and value in the individual
Fra Filippo, Madonna and Child, c. 1440.
 

 

 

 

 

 

 

 

 

 

 

quatrefoil = an ornamental design of four lobes or leaves as used in architectural tracery,
resembling a flower or four-leaf clover.

 

Andrea Pisano, Florence Baptistry di San Giovanni (south), 1329 - 1336.