AH 201 Syllabus
 
Renaissance to Modern Art
 
Cezanne, Still Life with Apples, 1895
 
Fall 2019

Monday and Wednesday 10:30 to 11:45 AM

Instructor: Denise Johnson
 
 
Office Hours by appointment
 
 

 

click here for a printable syllabus

 

 

Course Description

AH 201 - Renaissance to Modern Art is an introduction to the development of the visual arts in Europe, Britain, and America from the Renaissance to the 20th century.

In this course, we will consider the Western canon as established in Italy during a period of significant cultural shift, follow its influence, then trace multiple challenges to this academic order as the modern world emerges. We will cover more than 500 years of social, cultural, political, and material history in Europe and the United States, while building an understanding of the very study of art history–its methods, purposes, restrictions, and what the discipline can tell us about our world today, and tomorrow.

During our investigation we will model the activities of art historians–we will read, write, present, discuss, and research. Students are encouraged to establish a critical eye that is actively engaged in questioning through a shared learning experience. Think of the classroom as your lab, the textbook as your guide, and writing assignments as an adventurous expression of what you’ve learned!

 
Objectives & Outcomes
Course Learning Outcomes
Upon successful completion of this course, students will be able to:
    1. Demonstrate a thorough knowledge of the major artists, movements, and events that shaped Renaissance to Modern art;
    2. Identify and compare the aesthetic and philosophical characteristics associated with major periods of art from the Renaissance to the emergence of Modernism;
    3. Describe and discuss the formal, stylistic, technical, and conceptual qualities of works of art produced from c. 1300 to the early modern era utilizing vocabulary relevant to the discipline of art history;
    4. Apply appropriate art historical methodologies to the understanding of works of art, with a demonstration of growing understanding of these methods over the semester;
    5. and Analyze the relationships that existed between innovations in artistic practice and the social, cultural, and political changes that took place in Europe during the Renaissance and through the modern era.
Art History Program Learning Outcomes
Students will be able to:
    1. Develop the writing competencies used in the discipline of art history;
    2. Locate works of art and visual culture within the context of world art history and articulate the relationship between intended meaning/function and audience response in specific cultural and historical contexts;
    3. Conduct advanced art historical research using the full range of scholarly resources;
    4. Recognize the theoretical concerns of art history and its allied disciplines, and discuss and apply specific theoretical perspectives to a given art historical context and to their own research projects.
General Education Learning Outcomes
7AI Artistic Inquiry: Students compose critical or creative works that embody or analyze conceptually an artistic form at a baccalaureate/pre-professional level.
 
7SI Social Inquiry: Student identifies, frames and analyzes social and/or historical structures and institutions in the world today.

 

 

Materials
Instructional Websites

This class will be taught from the instructional website The Slide Projector at, www.theslideprojector.com. Lecture presentations, assignments, and other course materials will be available for you at this site and you will need to access it regularly. Assignments and readings outside of the textbook will be posted to the AH 201 Assignments page, as well as on the course Blackboard page. Exams will be taken outside of class on Blackboard at www.blackboard.chapman.edu.

 
Required Textbook

Fred S. Kleiner and Christin J. Mamiya, Gardner’s Art through the Ages: The Western Perspective, Volume II, 13th-15th ed. (Boston, Massachusetts: Thomson Wadsworth, Cengage Learning). ISBN 978-1305645059

 
Recommended Textbooks
Sylvan Barnet, A Short Guide to Writing About Art, any edition, 10th or 11th preferred (Boston: Pearson Education Inc.). ISBN 978-0205708253
   
Atkins, Robert. Artspoke: A Guide to Modern Ideas, Movements, and Buzzwords, 1848-1944. Abbeville Press: 1993. 9781558593886
   

 

Major Study Units
• Context of the Renaissance

• Rococo

• Medieval faith and innovation

• French & American Revolutions

• Ancient discoveries

• Neoclassicism

• Humanism and rebirth

• Romanticism

• Early Renaissance

• Realism

• Northern Europe

• Photography

• Italy

• Industrial Revolution

• Making “Art” during the Renaissance

• Emerging middle class

• Patronage & artist guilds

• Impressionism

• Materials & tools

• Post Impressionism
• Quattrocento Italy

• Symbolism

• High Renaissance

• Modernism

• Mannerism

• Expressionism

• Cinquecento Italy

• Fauvism

• Northern Europe & Spain

• Cubism

• Baroque

 

• Italy & Spain

 

• Northern Europe

 

 

Instructional Strategies
Students will work toward course objectives through: active participation in class discussions; student reports on readings; in-class partner exercises; reading assignments; writing assignments; exams; viewing images and videos; and attending of an off-campus exhibition that will require a commute, and may entail a parking fee, and/or entrance fee.

 

Methods of Evaluation

Students will be evaluated on the presentation of evidence that they have achieved the course objectives; frequency and quality of their contributions to in-class discussion; on their ability to make oral and written critical observations about the works of art, artists, movements, and concepts presented in the course; on the quality of the writing they present in written assignments; and on their ability to demonstrate growth in their understanding and application of the history and methodologies for studying Renaissance to Modern art.

There are 500 points possible, earned through the following graded components:

Class Participation - 15%

Students may earn up to 75 participation points by completing two of the following activities:

  • Actively and consistently contributing to in-class discussions and applying theoretical ideas to works to earn up to 25 participation points;
  • Reporting on at least five assigned readings on the class Reading Blog by outlining three main points or “take aways” from the reading. Your challenge is to avoid repeating the comments made in previous posts. Posts must be made during the week the reading is due (not all at once, and not at the end of the semester). Each post may earn up to 5 participation points; and
  • Attending one lecture in the Visual Thinker Lecture Series or the Bensussen Lecture, and submitting a VTLS Report on Blackboard within two weeks of the event may earn up to 25 participation points. Please be reminded that Art, Graphic Design and Art History majors and minors are required to attend all VTLS.
 

Writing Assignments - 55%

Students may earn up to 75 points on each of three writing assignments outlined in the Assignment Packet. You will be offered multiple choices for each submission, but are only required to turn in one.

Additionally, students will develop writing skills through two unannounced in-class collaborative assignments, each worth 25 points.

 

Exams - 30%

Students will take two exams worth 50 points each on Blackboard. Due to the nature of online testing, and the multi-day duration offered to submit, exams may not be made up. Please use the class schedule to plan accordingly.

A final examination in the form of a Socratic Circle will be worth 50 points and will be conducted in class during our scheduled final exam period.

 

Extra Credit

Students are limited to earning a maximum of 25 points, 5% of the total points possible in extra credit points during the semester. Any points earned above this cap will NOT be applied to the final grade.

 

*Twenty-Five points of extra credit may be earned by creating a dictionary of at least 50 new terms encountered during the semester.

 

 

Grading

Points on writing assignments will be earned through committed consideration of the material, demonstration of learned concepts and language, and evidence of critical thinking. In addition to the individual requirements, each writing assignment will earn points based on rigorous analysis, demonstrated comprehension of assigned readings, critical reflection, thoughtful response to questions posed, and active engagement with the material.

   
A
(100 to 90%)
Writing demonstrates excellence in both articulation and critical thinking. Art historical methodologies are used thoughtfuly and with exceptional skill. All questions are answered thoroughly, and disussion points carry beyond basic responses with sophistication. Credible academic sources were employed to support the author's positions, and Chicago Manual of Style citation rules were carefully followed. The written assignment leaves little to no room for improvement, and demonstrates committed interest in the discipline.
 
B
(89 to 80%)
Writing demonstrates clear focus and an above average consideration of the subject matter. While all questions have been answered, there is room for improvement in carrying the analysis and discussion beyond a basic response. The work exhibits potential for excellence however, a clearer application and understanding of the art historical methodologies is needed. Author has met the requirements for research and citations, but the stated positions could be significantly served by additional research.
 
C
(79 to 70%)
Most of the material is understood, but the focus is not entirely clear, and analysis is cursory. Question responses could be more fully realized, and the material, more thoroughly examined. Citation issues are present, little research was executed in support of the author's positions, and/or sources are not credible or academic. There are issues with language that make the writing somewhat difficult to understand. The highest Passing grade is a C-.
 
D
(69 to 60%)
Writing demonstrates little understanding or connection with the material and is flawed in content and form. Question responses do not provide evidence of critical thinking. Citation issues are present, no research was executed in support of the author's positions, and/or sources are not credible or academic. There are issues with language that make the writing very difficult to understand.
 
F
< 59%
Work fails to meet any requirements satisfactorily.

 

 

Resubmit
Assignment is incomplete but shows potential. Student is offered one additional class day to revise, add to, and resubmit the assignment.

 

 

Instructor Policies
Commitment to the Conversation
Art historians do not work in secluded spaces that are entirely disconnected from the world around them–or, at least they shouldn’t. Therefore, conversation and debate will be central to our learning experience this semester. Given the importance of engagement, students will be expected to fully commit to in-class dialogues and will agree to refrain from sleeping, texting, emailing, and completing class assignments during class meetings.
 
Notes on Note Taking

Some students benefit greatly from taking notes during class, others gain more by completely immersing themselves in the dialogue, or doodling while actively listening. However, it’s doubtful that any student is assisted in their learning by social media alerts, text messages, online shopping, pop-up ads, news feeds, or catching up on errands during class time. Although laptops and smart phones are powerful tools that are sold to us on the (increasingly false claim) that they help us to be more efficient and productive, their potential to distract and disrupt our learning is significant enough to warrant alarm. This can be especially true for classmates with different learning styles than your own who might be substantially distracted by the flashes and swipes happening in your shopping bag, even if they don’t seem to be a bother for you.

With these issues in mind, students are strongly advised to take hand-written notes on paper. Students who find paper notes difficult to handle, or who’s learning is significantly assisted with a laptop are welcome to share their concerns with the instructor, who is open to making accommodations. No matter your note taking approach, please think of class time as a luxury–you’ve just secured an hour and 15 minutes, two times a week, to clear your head, and practice deep focus on an incredible subject. Your devices, heart and mind will thank you for the break!

 
Respect is Key
This semester, we will consider provocative, challenging, even vulgar subject matter and imagery. It is assumed that each of us undertakes this learning endeavor with honorable intent and a commitment to understanding diverse perspectives and histories. When this is difficult, we agree to keep an open mind and to respect all views and identities–even those with which we do not personally agree. At Chapman the term diversity implies a respect for all and an understanding of individual differences including race, color, religion, sex, gender identity, gender expression, pregnancy, national origin, ancestry, citizenship status, age, marital status, physical disability, mental disability, medical condition, sexual orientation, military or veteran status, genetic information and any other characteristic protected by applicable state or federal law, so that all members of the community are treated at all times with dignity and respect. In accordance discriminatory language will not go unchallenged or unaddressed in our learning environments. Please be mindful that making this learning experience generative and valuable is collective work that requires critical rigor, courage, generosity, and humility. What will you contribute?
 
Pronoun Guide
Because creating and maintaining a safe and inclusive learning environment for all participants is our shared work, we are all asked to engage in self-discovery, self-awareness, and creative decision-making throughout the semester. One of the easiest ways to begin this work is by giving thought to how we refer to each other. Everyone will be asked on the first day of class to specify pronouns, if desired, and commit to utilizing correct pronouns at all times. In this endeavor, I’ve found the following guidelines helpful:
    • Some common pronouns are “she, her, hers,” “he, him, his,” and “they, their, them.” Other useful pronouns are: “ze or zie” (pronounced “zee”), and “hir or hirs” (pronounced “here”). Some people don’t use pronouns, and would like their names to be used instead (i.e. “Denise just sent Mariah an email.”)
    • Keep in mind that a person’s pronouns can’t be assumed.
    • Remember that it can sometimes be difficult to announce one’s pronouns publicly. As well, self-discovery is an ongoing process, so pronouns can change from situation to situation, and day to day. Please respect everyone’s privacy by only sharing their identities after receiving their consent.
    • Last, but not least, remember that if you make a mistake, that’s okay! Simply, apologize, move on, and continue working to utilize correct pronouns.
 
Attendance

Regular attendance is mandatory. You are permitted two unexcused absences without damage to your grade. More than two missed classes will potentially lower your grade, and missing four or more classes will put you at risk of failing (FW) the class. Please also be punctual! Students arriving 15 or more minutes late should expect to be marked absent for the entire class.

Letting the instructor know that you will be absent by email is appreciated! Please understand, due to the large number of emails received, the instructor will likely be unable to reply to your absence notification. Additionally, the instructor will maintain a simple record of attendance that will not distinguish between excused and unexcused absences. If you are not present, you are not able to participate. The circumstances that prevented you from being able to attend class, however unfortunate, do not change this.

 
Assignment Submissions on Blackboard

Please submit all coursework–including VTLS reports, drafts, and extra credit assignments–on the class Blackboard page before class begins, on the day the assignment is due, whether you will be absent or in attendance. If you encounter a problem with your submission, please notify the instructor immediately, and attach your completed assignment to the message. Assignments will not be graded via email.

 
All coursework must be submitted by the last class meeting, on Wednesday, December 4.
 
Late Assignments
You may submit one assignment, one week late. The late assignment will not be marked down, and you do not need to receive prior permission for the late submission from the instructor. However, any late assignments in addition to the one accepted assignment, will only receive credit at the discretion of the instructor.

 

 

Chapman University Policies
Academic Integrity Policy
Chapman University is a community of scholars which emphasizes the mutual responsibility of all members to seek knowledge honestly and in good faith. Students are responsible for doing their own work, and for submitting coursework completed this semester, for this class. Academic dishonesty of any kind will not be tolerated anywhere in the university. Academic dishonesty of any kind will be subject to sanction by the instructor/administrator and referral to the university's Academic Integrity Committee, which may impose additional sanctions up to and including expulsion. Please see the full description of Chapman University's policy on Academic Integrity at www.chapman.edu/academics/academic-integrity/index.aspx.
 
Students with Disabilities Policy
In compliance with ADA guidelines, students who have any condition, either permanent or temporary, that might affect their ability to perform in this class are encouraged to contact the Office of Disability Services at: DS@chapman.edu; chapman.edu/students/health-and-safety/disability-services/index.aspx; and 714.516.4520. If you will need to utilize your approved accommodations in this class, please follow the proper notification procedure for informing your professor(s). This notification process must occur more than a week before any accommodation can be utilized. Please contact Disability Services if you have questions regarding this procedure, or for information and to make an appointment to discuss and/or request potential accommodations based on documentation of your disability. Once formal approval of your need for an accommodation has been granted, you are encouraged to talk with your professor(s) about your accommodation options. The granting of any accommodation will not be retroactive and cannot jeopardize the academic standards or integrity of the course.
 
Equity and Diversity Policy

Chapman University is committed to ensuring equality and valuing diversity. Students and professors are reminded to show respect at all times as outlined in Chapman’s Harassment and Discrimination Policy: at chapman.edu/faculty-staff/human-resources/eoo.aspx. Any violations of this policy should be discussed with the professor, the Dean of Students and/or otherwise reported in accordance with this policy.

 

 

Resources
Writing Center
All Chapman students are welcome to meet with Writing Center tutors, who can help you with any part of the writing process, from understanding the assignment and finding a significant topic to editing your final drafts. The Writing Center is located in DeMille Hall 130. To guarantee time with a tutor, call (714) 997-6828 or email tutor@chapman.edu to schedule an appointment.
 
Food Pantry
Students in need of access to the food pantry should contact Sherri Maeda-Akau in the Office of Residence Life and First Year Experience at maeda@chapman.edu.
 
Sexual Assault

If you have been sexually assaulted, make sure you are in safe place. Call 911 in an emergency, Chapman University Public Safety at (714)997-6721 and, Chapman University ’s Sexual Assault Information Line at (714) 744-7000. Contact Orange PD at (714) 744-7444.

 
Student Support
Over the course of the semester, you may experience a range of challenges that interfere with your learning, such as problems with friend, family, and or significant other relationships; substance use; concerns about personal adequacy; feeling overwhelmed; or feeling sad or anxious without knowing why. These mental health concerns or stressful events may diminish your academic performance and/or reduce your ability to participate in daily activities. You can learn more about the resources available through Chapman University’s Student Psychological Counseling Services here: chapman.edu/students/health-and-safety/psychological-counseling/.
 
If you are in need of help or support immediately you can contact:
CU Student Psychological Counseling - (714) 997-6778
Suicide Prevention Hotline - (800) 273-8255
Drug and Alcohol Abuse Hotline - (800) 662-HELP
National AIDS/STD Info Hotline - (800) 458-5231

 

 

Class Schedule and Required Reading
This is a tentative schedule that may change. Assignment directions and due dates will be posted on The Slide Projector. Updates will be announced in class, on lecture presentations, and modified on the Syllabus page of The Slide Projector.
 
Date
Discussion Topic
Assignment & Reading Due
   
14th edition
15th edition
August 26
Introduction  
August 28
Setting the Scene
Chapter 14
Chapter 14
 
September 2
Labor Day - No Class
September 4
Early Renaissance Italy
 
September 9
Writing Art History
September 11
Early Northern Renaissance
Chapter 20
Chapter 15
 
September 16
Deconstructing Flemish Symbols

Arnolfini Portrait & The Life of Jesus in Art (in textbook)

September 18
Rennaisance Innovation
Chapter 21
Chapter 16
 
September 23
Renaissance Mastery
Assignment 1 Due
September 25
Establishing a Canon
Chapter 17
pages 503 - 530
 
September 30
Northern Renaissance
Exam 1 Due
October 2
Mannerism
Chapter 22
Chapter 17
pages 530 - 553
 
October 7
Venetian Exuberance
 
October 9
Visual Delights
Chapter 23
Chapter 18
 
October 14
New Realism
Chapter 24
Chapter 19
October 16
Baroque Spectacle
 
 
October 21
Northern Baroque
Chapter 25
Chapter 20
October 23
New Order
Page 661
 
October 28
The Enlightenment
Assignment 2 Due
October 30
Rococo
Chapter 26
Chapter 21
 
November 4
Neoclassicism
Exam 2 Due
November 6
Romanticism
 
November 11
Realism & Other Assaults
Chapter 27
Chapter 22
November 13
The Avant-Garde
 
 
November 18
Impressionism
 
November 20
Post-Impressionism
Chapter 28
Chapter 23
 
November 25
Thanksgiving Recess
November 27
 
December 2
Modern Isms
Assignment 3 Due
December 4
Abstraction
Chapter 29
Pages 761 - 780
 
December 11
Socratic Circle Final Exam 10:45 AM to 1:15 PM

 

 

Important Dates
Late Registration
The last day to add courses is Friday, September 7.
 
Drop Deadline
Students wishing to drop the course without record must do so by Friday, September 6. The last day to change grading option to P/NP is Friday, September 27, and to withdraw from a course is November 1.
 
Final Exam
The in-class final exam for this course is mandatory, and will not be offered at an alternative date, except under extenuating circumstances. The instructor understands that the holidays and holiday travel come with much urgency and pressure. Nonetheless, the hours set aside for the final exam are a part of your earned credit and as such, are an important component of your grade. Our final exam will be held on Wednesday, December 11 from 10:45 AM to 1:15 PM.
 
Grades
Grades must be submitted by the instructor by January 1.

 

 

syllabus